'LA TORMENTA SUECA'
TV SERIES
Spanish and Swedish
I am Olga a camerawoman
in the TV series.
Olga is the angry impatience
presence in all 10 episodes.
Directed by Roberto Duarte
Way Creative for UR Play
See the show at https://urplay.se/serie/220893-la-tormenta-sueca
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LA NAVE DEL RITORNO
3 years tournée in all Italy
Historical play created from testimonials of the Foibe genocide.
In the first act I played Agnese, a pregnant survivor, and in the second act I did Norma Cossetto, the main character of the play, who died after being raped and tortured.Â
Italian music, with singing and live instruments.
The play was an absolute success and the Teatro dell'Aleph was overbooked with requests from different cities.
AVVÀKUM
How to be an orthodoxian protopope's wife?
Anastasja was a huge challenge, she was a woman who followed her husband to remote areas of Russia. Even after losing all her children for the cold and hunger, she never abandoned Avvà kum, who defied the power for his faith.
I played her from the moment she met him until Avvà kum was burned, through the joy and the pain of his life. With live music, singing and dance.
Selected for Milan Theatre festival 2009.
MIRANDOLINÆ
Italian, with live singing on STILTS
Directed by Cinzia Mela and based on Goldonis's play The Mistress of the Inn.
We sing live in Italian and other languages like Greek and Portuguese.
The 5 actresses were selected from 700 candidates for the mission of recreating Mirandolina's inn.
We were trained for it by professionals like Paola Resurreccion, as we needed to learn how to move and dance on stilts and carry our giant chairs.
Photographer: Blu Mambor
PIRANDELLO'S LIFE NARRATED BY HIS WOMEN
Played in English and with stilts
Directed by the talented Annalisa Rossi with an international group of actors. The play in two acts about Pirandello, from the perspective of the women in his life, was done using parts of his plays connected to personal events.
I did his Mother Caterina (with a special Italian accent) in the first act and in the second act I was Cotrone on stilts while we played 'The Mountain Giants'.
Photographer: Diego Monsiváis
THE BALD SOPRANO
French and English played
Only in a truly bilingual city like Montreal this version in two of Ionesco play would work and it really did.
I was Mary, the housekeeper killed by the visitors, a poetic license taken by the director Anton Golikov.
All nights with a full house, acclaimed by public and critics alike.
Mary (Lesley) with the Smiths Michelle Langlois-Fequet and Paul Naiman
Photographer: Alinne Rodrigues
IN MEM
In process
Part of the collective Orizon.Art it is a dance/theatre performance multi-language/media. Directed by Anarita Martins Rodrigues with the dancer NÃdia Martinez Barbiere, the singer Claudy De Sousa Villalba, the actresses Katarzyna Tyczkowska and Lesley Leichtweis.
Multi media by Anna Iau
REPULSA AO NEXO
Thriller/Romance Noir
Olivia Manderley was great, she stolen my heart forever.
Mistery and humour in two seasons with full house. Directed by Margarida Peixoto and original text by Marcelo Adams.
Florencia Gil, Dmitri Rodrigues and Lesley
Photographer: Myra Goncalves
LA DONNA ED I SUOI RIFLESSI
Short
Brasil/Italy 2009 – 2010 Directed by Magali Hochberg the short was nominated in the 2nd Femminile riflessi, promoted by Università del Sacro Cuore and IED – Instituto Europeu di Design, 2010
MY HUGE TRAINING
'As técnicas corporais do gaúcho e a sua relação com a performance do ator/dançarino'
I was part of an academic research in movements for actors and dancers based on ethnical techniques developed by
We trained 4 hours every weekday for 3 years (2003-2006), I did some collaborations with the study after it.
The research won the XVIII Scientific Initiation Meeting - 2006 and Maico Silveira (member of the group) represented the University (UFRGS) in the National competition.
Inês also directed me in plays like 'Rituais do Cotidiano' and 'Semeando dobraduras'.
Photographer: Eduardo Simioni